By Our Selves documents a four-day walk made by the English Poet John Clare. Toby Jones, Iain Sinclair and a Straw Bear follow in his footsteps exactly 150 years after his death. En route they bump into Macgillivray, Dr Simon Kovesi and the wizard Alan Moore. Meantime the journey is narrated by Toby’s father Freddie, a maverick actor who featured in numerous David Lynch films.John Clare’s escape from Epping Forest; an epic march through hunger and madness, is an English journey to set beside ‘A Pilgrim’s Progress’. Andrew Kötting, hyperkinetic camper-van captain of Gallivant, sets out in hot pursuit, dressed as a Straw Bear. Father and son, Freddie and Toby Jones, are possessed by the spirit of Clare, and locked in Beckettian embrace: one all-voice and one all-mute.The writer Iain Sinclair watches from the shadows, Alan Moore waits like a bearded figure of fate, in Northampton and Dr Simon Kovesi hands out the medicine. Captured in lustrous black and white photography, they discover the only truth of the road; whatever our hopes and delusions, we are always by ourselves. The film is inspired by Iain Sinclair’s Edge of the Orison and John Clare’s Journey out of Essex.
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我不理解,这个电影到底要说什么?不是拗几句有态度的台词就是一个电影了,剧情完全没有连贯性、我看的是一整部电影,不是一个续集好吗?块电影票真的是亏死了…而且,请问这是什么?我为什么要花块钱看一个中年油腻男不成熟的恋爱观啊?孟非不是因为胖油腻的,胖胖也有很有魅力的版本。油腻是从对自知模糊开始的,客观条件是创业老板明明有着高于普通人的社会能力,却匹配不自然的情感价值观和跟年龄阅历不符的追爱的少年气,看起来既不成熟也不少年,只体现了想跃跃欲试不同女生后却不敢承担责任但又端着对
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动作片的第一公式是改编自史上最伟大的科幻小说之一的影片《沙丘》就要上映了。这个好莱坞大制作的科幻动作系列片,在哲学家德勒兹的电影理论中,无疑是大形式的电影。而所谓大形式,就在于片中这个“处于如此纯粹状态的S-A-S'公式”(德勒兹运动-图象研讨班第课):开始的情况(Situation)-以对决(duels)形式而出现的作用(Action)-改变后的情况(Situation')。这正是好莱坞倚重的一整个叙事模式……一整个电影拍摄的逻辑。……情况引发了一个作用,而作用则反作用于情况(和中域
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该剧是一部关于寻找的电视剧,故事发生在一场意外之后。馒头意外闯入了一艘沉没年的戏鼓船上,却发现这里只有亡魂。随着他深入探索,大龙湾的暗流涌动和父亲的秘密逐渐浮出水面。这部电视剧通过一个充满惊险和感人的故事,向观众展示了生命的无常和寻找真相的艰难。
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三个人的关系因为这次抢劫案而变得复杂起来,他们互相猜疑,也互相帮助。在这个过程中,他们之间也产生了深厚的感情。